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Writing
Haiku Collection
by Isabel Vélez
I always tell you
Text me if you need something
I truly mean it.
-I know how it feels
A feathery kiss
Dusts over my cheek and says
I wish you were here.
- When you leave your body
I want nothing more
Than to sleep in your presence
My dreams might retreat.
-Hearing your breathing
She never told you
Because she didn’t know how
She thought you might break.
-Their feelings over yours
To ask her to smile
Is to demand submission
There’s none of that here.
-To the man who told me to smile because it was a Saturday
Dear 2008
For a year, I believed that
There was a God.
-I miss Barack
There is a reason
That I have braids in my hair
And hoops in my ears.
-Longing for Ecuador
I see her feet ache
I sense her pain in my bones
Soon it is my turn.
-Physical Empathy
the phone call you want
will happen in due time
the voice can’t be mine.
- I cannot give you what you want
I hated this song
all it did was make me cry
now I’m singing it.
-The songs your parents play you in the car
it didn’t happen
not in the way you assumed
it’s all in my head.
-When you don’t have the words
the ink runs out first
she puts down the pen even
when she knows not to.
- Follow your gut
the world holds nothing
greater than the feeling when
you save your own life.
-Continuing on like never before
look into their eyes
take a deep breath and tell them
not now, not ever.
-When they yell at you while you’re crying
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Mother and Daughter
by Edan Morgan-Paul
It was almost five o’clock. She walked up to the front door and stopped within an inch of touching it.
The memories began, even before she turned the door handle. It took forever to reach the kitchen. While she walked through the entry, the old woman gave in to the memories.
One by one, flashes of the past came through her mind. Violent and angry, it seemed, bits and pieces.
It seemed these memories were going backward. From the most recent, to the very first.
There was her daughter, crying. She was always crying.
“Mother,” she had said. “Mother, what have you done?”
What had she done? She?
No, the more important question: what could she have been expected to do? After coming home to her only daughter, her little girl, with a man she had never seen. A man who was so much older. A man who meant nothing but trouble.
She could hardly have walked up and kissed his cheek, said, “Welcome to the family,”, and invited the bastard in for dinner. She could not have done that.
What she could’ve done, and what she did do, was snatch a rod from the fireplace. She showed him the red iron tip and growled.
Daughter had screamed.
The man was surprised. He backed to the door.
But not before she leaped across the room, poker outstretched. Not before he turned back to see her, and she hit him full in the face, and she was the last thing he ever saw.
He had screamed, the man, awful red welts already swelling at his eyes.
The daughter had cried then as well.
In the entry, now, a few blood stains were on the carpet. The paisley white carpet, that she had paid for.
Into the kitchen she went. It would have been a pleasant kitchen if anyone else lived there. If anything else was stored there but bottles, and rancid casseroles, from neighbors who meant well.
Another memory came to her, from a few years ago.
Daughter was there with her, they were chopping onions for a stew. Tears were in the girl's eyes. She fought the flood with her brown hands, but couldn’t stop them from coming.
“Mother,” she had said. “Why can’t I go to the neighbor’s party?”
This question had been asked many times; as if she didn’t know.
“It isn’t just the neighbors,” she replied. “You know the rule. Yet you still ask. I am tired of this.”
“I’m sorry,” the little girl had said, after a moment. “I know the rule.”
But her dark eyes were still full of sadness, as if there was someone to blame, as if she didn’t know what would happen if she were to go to the party.
“Those girls are nothing to you,” she had said to her daughter. “Those girls will be awful.”
“Why?”
And this was a hard question to answer.
“Because they will not understand you.”
“Do you understand me, mother?” she asked.
There was always a pinprick to her heart, whenever daughter called her “mother.” For she wasn’t, really. She shouldn’t have had to be.
“Yes, my darling,” her mother replied. “Yes, I do.”
Leaving the kitchen, now armed with a glass of wine, she walked down the hall, slow, and faltering in her high heels. She came into the bedroom and sat on the bed.
A third memory, this one faded. It had happened a very long time ago.
Daughter, only a child.
Dusty September sunlight, coming in through the parlor window. Daughter was playing on the sofa.
Then, she fell.
The glass table cut her lip, and blood streamed down her chin. She screamed, and did so for a half hour.
After putting her to bed, the old woman had gone back into the parlor. She looked for blood spots on the carpet but found none. What a tidy bleeder the daughter had been.
Why she remembered that, was a mystery.
Sitting on the bed, the old woman watched as the last bit of sunlight faded away.
And then, the last memory came.
This one was longer and very sharp. It was the first time she saw her daughter. Winter, years ago.
She had driven in the bitter cold to her sister’s home, on the other side of town. It had been years since anyone had seen the sister. She had run off a long time ago, and rumor had it she lived here. In the dumpy, filthy side of the city, where only trash and Negroes lived.
Her sister was trash.
She heard from an old fat woman in a yard that Betsy Hexe lived at the end of the road.
When she knocked, a man came to the door. He was tall and thin, and the blackest man she had ever seen. With one look, he knew who she was. And with that same look, she knew as well.
He stood there, looking at her.
“I suppose you’re Betsy’s sister.”
It wasn’t a question at all, because he already knew.
“I suppose I am,” she snapped.
Then, there was a crying sound from the back. Her stomach clenched.
“A baby?” She asked, after a moment.
He nodded, and wiped his brow.
“Where is Betsy?” she had asked, as the baby’s cries grew louder.
But they both knew where Betsy was. The man said nothing.
“So I suppose that baby is yours?” she said.
“I suppose she is.”
And then, silence, except for the wails coming from the back room.
“I think I should come in,” she spoke again.
For a brief moment, he looked relieved. But then, his face returned to the emotionless mask it had been before.
Inside, the house was a mess. A foul odor seeped from the walls themselves - unwashed people and desperation. The stench was stifling, despite the freezing air.
“You can’t take care of the baby,” she said matter-of-factly. It was, now that she had seen the inside of his house, very obvious.
“No,” he replied. “I can’t.”
Then, he looked up at her.
“But she is mine.”
“Oh, stop,” she replied, her lips pursed. “She may be yours in the ways of fatherhood, but you must realize…” She paused. “You must realize that you can’t do this.”
“I can. I am.”
“No,” she said, mimicking him perhaps. “You can’t, and you aren’t. You’re a fool if you think you can go on like this.”
He stood hunched now.
“I will take care of her.” Then he met her eyes. “You can leave.”
In a sudden outburst, she slammed her hand into the foul wall, stomping her heeled foot.
“You are a fool!”
He looked startled.
“You are a goddamn fool!” she shouted again. “This girl cannot be raised by you.”
“Why’s that?”
“Because she will never fit in.” Her voice shook now. “She can never be shown to the world, they will never accept her.”
He shifted on his feet, as she came within an inch of his face.
“A drunk for a mother, a Negro for a father….” She shook her head, very weary. “Don’t you understand?”
He said nothing, only kept looking down.
“Would you let me take care of her?” she said, in almost a whisper. “You must know, that it would be better.”
There was a long pause.
“I could hide her, you see? I could keep her safe.”
For a moment, he looked up. There was something in his eyes like hope. He opened his mouth.
“No,” he said.
The hope was gone. His eyes were empty.
“You fool,” she said again. “You would do this to your child?”
“No,” he replied. “You would.”
With that, she grabbed her pocketbook and left.
The door slammed behind her as she walked out onto the street. In her mind, there was no intention of driving home just yet.
She walked around the house, quiet as she could in heels. In the back room, the baby had quieted, and must be sleeping. The woman, not so old then, found a window, covered from the inside by a filthy curtain.
The man had left the window unlocked, and she had opened it, and reached in, and there, sleeping, was the baby.
She had taken it.
“I will protect you,” she said when they had arrived home. “I will.”
As she had laid the baby down to sleep, she said again, “I will protect you.” Then, “They can’t hurt you. I won’t let them.
I’ll keep you safe.”
Now, fifteen years later, the old woman sat on the bed. She watched as the stars came out, and the wine disappeared from her glass. The sky was inky black, and the rim of her glass was stained with dry lipstick. She sat there for hours.
Then, she went into the kitchen. She put her wine glass in the unwashed sink.
Then she looked out, through the kitchen window, and watched the sun come up.
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A Little Too Long
Monologue by Isabel Vélez
There are times when you’ve gotta accept that you’re gonna hurt people. And I don’t mean hatefully. Hate is a choice. I mean like hurting people in ways you can’t control. Like, for instance, when I was in 5th grade I was sitting at a picnic table with five of my friends. We were all awkward and gangly, nearing the age where sharing opinions was becoming a way to establish power. So. We’re sitting at this table, talking away, and you know how kids in elementary school make one too many of the same kinda joke? Like when one leads into another and another and another, until it becomes all old and stale? Then the forced laughter after the joke expires feels like an old accordion, forcefully pushing out sound? Well, we’re going around the table, making “yo mama” jokes, and towards the end, this one new kid in our class, let’s call him Seth, made one too many. Everyone was quiet, looked at him for a second, and then around at each other, trying to see who was gonna make the effort to force at least a little air out of that laughing accordion. But no one did. There was just too much silence for a little too long. So, as the conversation picked up again, I looked at Seth sitting at the corner of the table, with his legs crossed like a pretzel and his shoulders sagging, staring at an ant running down the table with a crumb. I couldn’t look away from him. All I could think, when I saw his face, was how lonely he looked. How all of us had made him feel dumb as a rock. But there was no way in hell we could’ve backed out of that moment. I wanted to keep looking at him, deep in the eye and say “I’m sorry. It was an accident.” But I didn’t. And he felt a little too lonely for a little too long. Longer than he needed to feel lonely for. Over the next decade I’ve always been drawn back to that moment, where a kid got hurt when he didn’t need to. How I was one of five that were responsible for that little piece of hurt, in a way that we couldn’t really control. He died three weeks ago. Car accident. He was the only one in the car. And that’s my biggest regret. That I waited a little too long for a moment that I only daydreamed about. It might be the most selfish regret around town. How do I know that he even remembered that day? Why would I think I’ve made even a little dent in his life? It might be to make myself feel better, I don’t really know right now. But I regret it every day. Every damn day.
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will you still love me
by Meredith Baum
will you still love me
dear mother
will you still love me
if i hold her hand
and tell you how i feel free
and father
will you still love me
if i wear my pride with a smile
even if you don't agree
grandma
will you still love me if i tell you about the girl
that reminds me of honey and the sea
oh grandpa
will you still love me
if there is no boy
and instead there is a she
please just hold my hand
take a deep breath 1 2 3
can you try to understand
that i finally love me
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A Mind In Four Poems
Tyler Holmes
Winter 2019
1. Synesthesia
Your voice,
lingering in my headphones late at night,
is a flower petal caressing my skin,
cold and soft,
holding me tight in the state
between awake and asleep
The sky in April,
cloudy and opaque,
like the water in a cup of paint-brushes,
sings a breathy song,
the kind of music that plays in your head
on Sunday mornings
A peach,
fresh and sweet,
properly enjoyed
while kneeling on backyard grass,
tastes like the rising sun’s light
resting on your eyelids
2. Spider
You are inescapable; there are reminders of you everywhere.
Breadcrumbs,
stains,
words scratched on the walls,
traces of you etched into the corners of every room
Motifs of memory, shrouded from sight
Hidden in dark places,
shoved into the bottom drawer,
buried in the backyard,
wrapped up tight and stuffed in the attic
Sometimes you take the form of a spider
I spend hours chasing, beating the floors
And finally, once you’ve met your demise,
proven by the eight spindly little legs
smashed on the sole of my shoe,
I still can’t help but think about the rest of your army
of ants,
moths,
and flies
that are still hiding in the walls
3. Sleep
Within the confines of the moon
is the most precious elixir in the universe
The most sought after medicine,
Universally prescribed
Desperately hunted by the starving neurons
that cry from the inside of the skull
It’s what bloodshot eyes beg for,
the temptation that rests on the ceiling
Needed so badly,
but never conquered
4. When It’s Over
When it’s over,
the ground will catch you softly
as you are welcomed back
into the earth’s warm embrace
and when you stare up
at the sky you left,
the moon buried in a sea of black & blue,
each star dripping with the remnants of your thoughts,
Let the night simply rest above you
and do not try
to cling to the galaxies
to escape the morning;
let the morning come
Because when it’s over;
The sun will be just as bright,
but your fear of being burnt will disappear
The ice you built around yourself
will melt, and those who hold you
will not freeze
The wind will still howl and blow,
but won’t knock you to your knees
And the noisy racket
In a mind that felt so jagged
will become quiet and soft,
And you will hear the birds sing again
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A Gambler’s Descent Into Moderate Trouble With an International Gambling Kingpin
Jacob Palmer
Winter 2019
Christmas Day:
My left foot slipped on the gravel beneath me as my right shoulder hit the rooftop’s ground. I rolled to the edge and hit my knee. As I slowly stood up, my knee rushed with excruciating pain. There I stood, the edge of the roof with a fifty foot drop to my back and my front to the towering angry goon. His bloodshot eyes put me on edge figuratively, and his punch put me on edge literally. I was out of breath. That guy had been chasing me for hours!
“Hold it right there Andrew!” The brick-like goon commanded. I should have listened to momma. I was so close! So, very, close. I need to stall him for a few minutes while I think of a way out of this, I thought to myself.
“Heyyyy, Jimson?” I said.
“That’s not my name,” the goon responded.
“Stephensonger?”
“Nope,”
“Tim?”
“Nada,”
“Timbur?”
“No,”
“Bill?”
“Definitely not,”
“Bulregard?”
“Stop these mind games, Andrew,”
“Okay… Bulregard?”
“Stop it,”
“Fine, Bulregard. Can I call you Bull-?”
“Just shut up!” Bulregard, the goon, exclaimed, “I’m getting sure tired of your games and your tiny, wiry body. You have to face me now! The money, Andrew,”
“He didn’t technically win!” I muttered under my breath.
“What? He had a starting hand of pocket aces. You had a jack and king!”
“We never finished the round. Just because the game had to stop doesn’t make him win, idiot!”
“You know the casino rules: ‘if the round is interrupted, the person with the best hand wins.’”
“He set up that roof to collapse because I was winning the rounds! AND, that rule is dumb!” The owner of that casino loved posting crazy rules on the wall that you could only read with a magnifying glass. He posted things like: “If a player uses the bathroom more than four times per game they lose, when there is a tie, the older player wins, and we reserve the right to assassinate you if you win more than $1,000 from the casino.” Wilford really knew how to exploit those “rules”.
“Well, Wilford hired me to get the money one way or another. He said to do this even if I need to pry it out of your mostly severed, skinny hands to get it!”
“Wow, he’s very specific!” I chortled. The goon’s hand felt around in his black trench coat. A shiny, silver 1911 Colt appeared in his hand. He switched off the safety and pointed it at my head. My foot was slightly over the edge. A few pebbles fell off.
“Listen, I don’t want to make you my...” he stopped, and counted his fingers a bunch, “...fifty-sixth victim!” I spied a barred window next to a broken one a few feet down from the ledge. It was my only escape!
“Tell Wilford he can eat dirt!” I jumped off of the edge, catching myself on the barred window with my left arm. The rusted bars squeaked. I grasped the bar with my other arm and threw myself through the broken window. Some of the remaining glass cut my back.
I landed in a dark room. Pain was still rushing through my knee and now lower back. At the top of his lungs, the goon was yelling expletives you’d only hear from a sailor who just lost their job. His footsteps departed from the roof. I grabbed a flashlight out of my pocket and switched it on. I apparently was in a deserted office building. Cubicles surrounded me. I spied the fire extinguisher and apprehended it. Switching my flashlight off, I found a desk to hide under. I waited for a while and caught my breath. What did I get myself into?
Footsteps were nearing me. The door was kicked in and light from the hallway shone on the ground, revealing the goon’s humongous figure.
“Andrew, come on out ‘lil buddy. I won’t hur tch’ya. Well, honestly, that’s a lie. I’ll probably melt your face off with a butane torch.” The goon shuffled around, flipping over desks.
“You’re actually annoying me a bit, Drew. Can I call you Drew?” This question infuriated me. I grasped the fire extinguisher tighter as he neared where I sat. His footsteps shook the dusty floor. He was close. I stood up.
“No one calls me Drew!” I exclaimed as I knocked him over the head with the fire extinguisher. I could’ve sworn that his head bent in the extinguisher’s shape and then popped back into place. For a second, he just stood there and growled. My legs twisted behind me and I ran without any input from my brain. I’m a nervous laugher, and as I was being chased I was consistently laughing at the goon. It was a strange sight: a young, wiry gambler hopping over cubicle walls laughing uncontrollably while a large seven-foot-tall goon walked through friggin’ desks. When I reached the door to the hall, I flipped a desk long-ways to block the door. For a split second I stopped to catch my breath.
All I saw was a large hand, which chopped the stinking desk in half! That was a solid wood desk, just to let you know. As one does, I continued running, this time down the hall. Good thing I’m wearing my ‘running away from a large, scary man’ shoes! I thought to myself. Luckily for me, all of the halls made a square shape, and I could definitely run faster than that goon! I started to gain some distance from him. There were two escape options: run down the stairs, which was very obvious, or take the elevator, which was less obvious. Why not the latter? Ding Ding Ding Ding Ding! My nervous finger pressed the elevator button rapidly. As I waited in terror, my eyes fixed on the dinky little fake Christmas tree in the corner of the hall. It was poorly decorated but strangely filled me with a little bit of Christmas spirit…
Glooooooooglc. The elevator doors opened. Footsteps neared! I pressed the ‘close door’ button as fast as I could. I knew that button did nothing, but why tempt fate?
The doors closed barely before the goon entered the hall. What to do now?! I asked myself. He wouldn’t expect me to go up, but if I did go up I’d be trapped. Maybe he would expect me to do what he wouldn’t expect me to do. I could go to the base level, but what if he knows that I would do something he wouldn’t expect and so he’d expect that? But he might be smarter than that and expect me to do what he’d originally expect because I’d try to trick him by doing that. ARGH! I decided to go with my gut and take to the first floor. Some cheesy Genny K song played in the background as I thought up a game plan. The elevator doors opened at the bottom floor. I ran as fast as I could toward the window I had broken to get into the building. My arms were flailing uncontrollably at this point. I hopped through as I caught a glance of the huffing and puffing goon. He held out his hand as if he were trying to apprehend me even though I was many feet out of his reach. More expletives poured out of the goon’s mouth as he displayed a lewd hand gesture in my general direction.
So now I’m here, having just escaped Wilford’s top goon. Frankly, I’m proud of myself. But there’s one thing left to do: make sure Wilford never sends another goon after some amateur gambler ever again.
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Nothing New
by Sydney Stropp
God, I’ve never wanted to kiss her more. No, wait. That's a complete and
total lie. The time I wanted to kiss her most was definitely last week when she asked me to tie her bathing suit top on. Or any time she’d ever instinctively reached for my hand when she got scared. Or maybe that time about a month ago, back when we were tying daisy stems together behind the bleachers during Fletcher’s baseball practice…
“Kiera?” Dot asks, looking up at me.
“Yeah, sorry,” I reply, my fingers less than steady as I raise the lighter to her
cigarette. I tuck the lighter into my back pocket as I raise my own cigarette to my lips, not noticing anything but how utterly gorgeous her eyes look when exposed to fire’s beachy, melty soft serve kind of glow.
I hook my fingernails under the left leg of my shorts and press them, hard,
into my skin as she lights my cigarette with hers. We both know smoking is a bad habit, and we only smoke on occasion, but tonight we’re celebrating.
“We got through high school,” Dot raises her fingers, and her cigarette to the sky
in a kind of toast.
“Hell yeah, we did,” I copy her and try in vain to contain my smile. At
the same time, like always, we blow smoke out of our nostrils and laugh.
“I hope Fletcher doesn't find us. He’d hate to find out we were smoking,” Dot
comments, rubbing her nose.
“I don't give a flying fuck about Fletcher,” I growl in reply.
“And yet you hang out with us all the time,” Dot argues.
“It’s because you're always with him,” I tell her. “You know I don’t like him.”
“You haven't liked anyone I’ve ever dated. Ever,” Dot takes a puff and lets the
smoke billow elegantly from her barely open lips, brown doe eyes following it as it climbs into the dark summer sky and disintegrates into non-existence. Have I mentioned how gorgeous her lips are? They're gorgeous, just like she is.
“Aah, dated. Past tense. I didn't like them because I didn't think they were
right for you, and they weren't. Am I wrong?” Yes, I am wrong. I didn't like the guys she dated because they were guys, not girls. Not girls she's known her whole life. Not girls she's trusted with every secret she's ever had. Not girls who hold her when she’s shaking she’s crying so hard and tell her everything will be okay because everyone knows the girls lying about her are the ones who start rumors just to watch the drama unfold.
Not me.
“No,” Dot admits, “you’re never wrong. But Fletcher’s…”
“...different?” I finish. “Like Michael was? Like Cameron and Stephen were?” It
came out harsher than I meant it to.
“Ouch,” Dorothy sighs, smoke curling from her lips. God…
“No, I’m sorry. That wasn't… supposed to be like that,” I reply sweetly, my
gaze inching up Dot’s face and meeting her eyes. Her eyes, dark like the skeletons of the leaves that cling to dying branches in the wintertime, are dappled with dew drops; the kind that magnify ladybug wings and only come in the morning before the sun forces herself awake and dries them up. Instinctively, my hand finds hers. Relief floods me as I feel her grip tighten. “Are… you crying?” The words slink out shyly; barely a whisper.
“No. I mean, yeah, a little, but not because of you. The smoke,” she pauses to
brush her eyelashes with the back of her finger. “It got in my eye.”
“Okay…” I sigh, nervously holding my crossed ankles and rocking forward a little bit, only half-believing her. “Let’s change the subject.”
“Subject change: summer plans?” Dot flashes her dangerously innocent smile, looking up timidly. I swear, I can feel my heart melting.
“You know my summer plans,” I blow smoke in her face playfully as I speak, “I’m just gonna hang out with you. You are my summer plans.”
“Maybe we could try to bring back last year’s sleepover streak,” she suggests with a little laugh, fanning the air. If I were to try to explain her laugh, I’d end up writing two textbooks titled “Dorothy Ann Stiles: The Paragon of Perfection.”
“Absolutely.” We’d practically lived together last summer. “Let’s try to get to…” I stop to think, blowing a thick stream of winter-grey smoke.
“Seventy-eight!” Dot interrupts, leaning forward to add emphasis.
“If we wanted to get to seventy-eight… we’d have to start…” I pause, doing the math in my head. “We’d have to start today, Dotty.”
She only grins. Her eyes crinkle at the corners when she smiles, and there's
this light that enters them whenever she's happy.
I’ll bet you Fletcher never notices stuff like that.
“Alright then,” I smile in reply. The streetlamp she’s leaning against, the only
one still working in this entire damn park, starts to buzz out. The sudden noise and loss of light causes Dot to jump, and I find myself holding her.
Okay. Forget everything I said. This is the most I’ve ever wanted to kiss her. Right here, right now. I could do it, too. I’d just tuck honey-maple hair behind her ear, stare into the eyes that remind me of the way a bonfire looks when you’re watching it through an iced-over window, and ever so slowly start to close the gap between us until…
No.
No.
I can’t do that.
I can’t let myself think about doing that.
I can’t let myself love her.
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Belting With Darkness
by Samuel Winget
The antique store was older than some parts of the town. It had knick-knacks from all corners of the Tri-state area: civil war antiques, old native art pieces, and even some good thrifting options, but what the kid was looking for was an instrument. Now, instruments are hard to come by, especially the old ones, but the kid had heard from a couple of sources that this place was the real deal when it came to antique instruments.
There were violins made around the time the bomb dropped in Japan, you could still hear the whining drop in the hollow bits of the tuning. Guitar strings with in-laid mourning hairs, mourning strings, and even a harp, one of the last harps to be made of 100% ivory. But the kid wasn’t looking for any type of harp, string, or violin. The kid was looking for a piano, something you could belt on, something you could really feel the passion with.
He spies the store, and sees that the outside’s nice and varnished with an age old veneer to the way it’s been preserved. The pieces are all laid out with that perfect layer of dust. He’s gotta have it, but it’s a little pricey. Maybe the bark of this dog doesn’t match its bite.
So he starts playing, and boy oh boy does it ring; he must’ve played half an concerto on that old piano before he stops to ask the clerk why this beautiful thing is stuck in the back of the shop.
The clerk stares up at him through old reading glasses. A kinda sorrow wanders through those reading glasses, and he just shrugs to the kid.
“Look inside and see for yourself. No need to get so worked up about that piece, we’ve got plenty of pianos in the back that’ll make your heart soar even higher.”
The kid blinks for a second and winces at the clerk. Surely he can’t be serious, this thing sounds as if a thousand organists jumped ship from their churches and ancient engines of sound, and into the beautiful black and white keys of this instrument.
The kid stops playing his tune and walks to the back of the machine. A strange and toxic odor overtakes the kid as they open up the back of the piano to look at the strings. It’s strange, they ain’t made of steel, and they certainly ain’t made of intertwining strings, it’s almost like those music wires . . . are made of something much more organic.
The kid spies a card on the inside of the piano, just near the back of the strings, in fact, right on top of the soundboard. He takes it and reads:
“Sound and ringing made through human screaming, I made a piano with chords and strings from the lowest tones of my grandfather’s groans to the highest of pitches from my daughter’s newly-made stitches. I used their misery as my tuner, nothing better than to make them suffer. A sound so divine you’ll never find, for I have made it through hellish machinations.”
- The Maker -
The kid stops for a moment in a presented horror, frozen in neither flight or fright, just simply frozen. A hand catches him on the shoulder and he turns to see the clerk with the same sorrowful look on his face.
“About twenty years back, police found this here piano in the woods, nothing near it, nothing around it, just it and its seat. They popped open the back, found the note, and have been investigating it to this day. The piano right there, the strings and sound board and all the little working bits, are made from . . . well, you know what. Whoever could do such a thing I’ll never know, but I can’t sell this thing, not for the whole world. The suffering needs no performa–”
The kid slams the cover down in a swift motion and places down three times as much moolah than what the piano’s listed for. A whole wad of filthy lucre neatly placed in the clerk’s unsuspecting hands. The kid’s eyes are starkly wide open, and he catches the clerk with the most spotlightish of stares.
“Such passion, cannot be ignored.”
- Samuel Winget
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DEAR VINCENT
Isabel Vélez
2019
Dear Vincent,
I have always known who you are. Known your famous works, known your name. I have seen collections of your paintings in Amsterdam, in New York City, in Detroit. When I saw these I was young and full of angry exhaustion. I can still feel the sensation of wanting to shrink away from the random passersby, for I felt on my face the words fraud, fat, unwanted, incapable, were etched in with a cold knife. There is nothing beautiful about that. There is nothing beautiful about being afraid of the space you are taking up, cautious of every sound you make, fascinated with what your funeral will be like. I thought of these things at age ten, twelve, thirteen, and to this moment, one day into being seventeen.
So here I am, in these rooms full of whispers and flits of eyes, with my mother, looking at your life and the people you touched and the things you saw in these paintings. And all I can think of is the throbbing in my feet and the ways that my eyes are not meant to see this art, that they are young and stupid and sad. Again, there is no beauty in a ten year old detesting the very sound of her name, or her face in photographs. I often wonder if I now believe I was sadder than I actually was. I hope I am wrong. My memory seems to fail me.
We leave these museums, my mother often times weeping, myself ever so melancholy, but itching for my crayons and markers, yearning for the day when I feel I am ready. For what, I am just now beginning to realize.
Years go by, and in them are panic attacks, the smell of chocolate and warm bread, paint angrily tossed on canvases, tears born of laughter, and the sound of my dogs barking at squirrels. I think you would like Star. She is like you were... are. She is a being that sees more than we know, believes more than the average cynic. We are all alike in these ways.
I am trying to write this in a fashion that I needn’t be ashamed of, needn’t censor, needn’t hide away. Just from me to you. I apologize to myself in advance for my judgements in the future. I wish for myself to remember the gift of expression. I now realize I quite like writing letters.
The things you say feel as if they were drawn from my lips, in universes that were parallel, as if time was different, but the pain was, and is, the same. I nearly always cry when I hear your words. They are too familiar to be interesting, therein making them entirely completely, overwhelmingly, and fully encompassing. That is something beautiful.
It astounds me to think that my eyes and yours, and your ancestors eyes and my ancestors eyes, all have looked at the same sky, the same stars, the same sun, the same moon. That to me is the essence of posthumous connection. That in our different times and bodies and circumstances, we may read and feel the same things and wonder at the same stars and shield our eyes from the same blazing sun. Though I am in constant question of religion, I pray that my children will know you and know the stars that we both looked at.
There is a difference in fascination and in connection, though it may be minute. Fascination is where you see that which is different, beautiful, frightening, and search for the ways that connection or relatability may be found within these. Connection is inherent. It surpasses time, boundaries, walls, bodies. Neither of these has to relate to love or lust, hate or fear. It all comes down to the relations made of pure humanity.
I wish I could ask you about color. About the things yellow reminded you of and the ways you wished for it to heal you. I wish someone were there to have given you their ear to listen, rather than you taking your own. I wish someone could have given you hope encased in a yellow glow, telling you that healing is possible. The things we do in hopes of healing are not beautiful. They are desperate and messy and painful. They are not the signs of artistic nirvana or genius. They are human. They are scary. They hurt like hell. And we should never stop trying to emerge from the sadness and illness. The illness does not make us who we are. It may teach us, but it is not the cause of our success.
I create because it is the only thing that keeps me sane. My work is not born out of sadness and self harm, my work is born out of ambition and an inability to care more than I already do. When I have swift but precious moments of clarity, I take the opportunity to let myself be free with the materials I have. My own creation is the product of life, not the product of suicidal contemplation. I am sure you will know this feeling. Many people say that you best created when you were in distress, and when your mind was an enemy that lied to you. I believe your masterpieces were made when the stars became your only friends, when the pot of sunflowers sitting by your side were so beautiful, that even your illness could not stop you from honoring them. When your heart and soul found an endless landscape in the colors of midnight, and felt whole in the presence of nature.
This is not to say that illness is not a teacher. There is a difference in honoring yourself, the person that fought and is fighting the illness, versus the worship of pain and it’s so called glamour. It angers me to think that people think that “madness” or illness is a necessity to become enriched. It is a battle that some are meant to fight, just as poverty and grief are the battles of others, though different in their effects.
And again, this is not to say that art should not be scary or angry, or a depiction of one’s darkest flaws. The process of this depiction though, is done in a time when you are watching and aware of the things you are struggling with. In a time where your body is more than a vessel for suffering, but a vessel of service through creativity. Art can be of the utmost value, the only antidote, the only means of relatability, the only healthy way out. Art is life and death and everything in between.
This morning I was driving with my mother after an appointment with my psychiatrist. My mother was completely encompassed with the demands and worries recovery carries. Her tears were out of a desperation that only the mother of sick child could know. My brain spoke to me. First to scold me for the money I am requiring my family to spend, for the isolation that I have failed to ward off, and for the days that I have stayed home when I should be elsewhere. It then proceeded to cut me with words, tell me that the most peaceful and serene path for everyone would be if I would have just shut up, silently dealt with my pain, then died.
Then you spoke to me.
Your experience, your choice, your death. You saved my life when no one could save yours. The totality of your being told me that my death was not the way. My death is not the antidote or the savior. I am deserving of this life, this breath, this body. You told me to learn from your mistakes.
I am for today, eternally grateful. Tomorrow I am not sure, but later in life I will be permanently indebted to you and your memory.
With a handshake,
Your Loving Isabel
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NUMB
Emie Salome
September 2018
They lounged on the wooden benches in front of a little pavilion, chatting idly until the rotation ended. Ott and Annie were inside, making more wax hands, but I was sitting on the dirt listening to them talk about some video game.
“Ah, a witch, that sounds crazy,” I said. None of them heard me.
Suddenly, the rat-looking one sat up, smirking.
“Let’s stick our heads in the ice water. I dare y’all to stick your heads in the ice water.”
This was a great idea, and the other boys jumped to their feet and swaggered towards the ice bucket like the royalty they were. None of them looked back at me, none of them asked, “you coming?” But because I wished that they would, I felt like they had.
I began to follow, but I lingered at the edge of the pavilion.
I watched as the tall blond one stuck his head in. They started to chant his name, a name which I don’t even remember. They were ruining the quiet beauty of the forest, but all I wanted in that moment was for them to chant my name. The blond pulled his head out of the bucket, wide-eyed and gasping, and they all laughed.
I glanced over at the two girls. “Don’t do it,” said Ott. It felt as though she had read my mind, but she had probably read the lonely expression on my face.
I did my best to replicate the nonchalant manner of the boys.
“Heh,” I said, sauntering away.
The unofficial leader had his head in the bucket now, and they were laughing at how bad he was. For a second, one of them tried to hold his head in, but he was stronger, and he pushed up, gasping for air.
“Um, can, um-” I started. “Can I?”
The only one who heard was the one who never talked. He glanced over at me with eyebrows raised, as though I had just said something mildly interesting.
“Hey, guys,” he said quietly. “She wants to try.”
I don’t think he even knew my name.
They all moved aside, since they had already done it and had gotten bored. The blond asked if I wanted him to time me. I shrugged. “Sure. Why not?”
That was probably the longest sentence I had ever said to one of their faces.
I crouched down over the bucket, gripping the sides so hard my knuckles were white. In the back of my mind, I was terrified, but the adrenaline outweighed the fear.
I shoved my head into the bucket.
It felt as though the water was shutting me off, closing my throat and numbing my skin. My eyes were closed and it was pitch black, and after a second the only sensation was my thoughts.I wish that in that moment I had come to a realization.
I wish that sitting there, with my head in the ice water, I had discovered Nirvana and fixed global warming.
In reality, the main thought going through my head was, This is very cold.
A close second was, I hope they think I’m cool.
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Theatre: The Problem With Theater In High School
By Bella Shepard
The Griffin School is well-known for its creative students, numerous students participating in the likes of 3D or 2D art, music, or photography. However, what is often forgotten, is its theater program. The head of the theater program, Rudy Ramirez, has directed multiple productions at Griffin. This year's production is the famous William Shakespeare play, Twelfth Night. Numerous students in the cast are looking forward to the production after the last play, A Midsummers Night Dream was reconsidered after the news that McCallum High School planned on performing the same production.
“It has a good mix of heart and a little angst, and it’s really good,” Said freshman Meredith Baum who plays Viola in The Twelfth Night. While she and the other actors are excited about the production, they are also well aware of how little recognition it receives.
Some students at Griffin believe that theater is underrepresented, stating there is not enough attraction, funding, or support from administrations. While programs at other schools in the area such as McCallum has a wider representation for those in theater with 8 main stage and 4 second stage shows every year. This may be due to them having a specific performing arts section. Griffin sophomore Tyler Holmes, who’s playing the role of Orsino, states “theater is overlooked.”
“We put so much work and effort into the performances that we do,” Holmes said “it seems that theater is not put up to the same appreciation as like music and that sort of thing. I believe all art departments deserve to get the same amount of attention.”
While performing is an integral part of theater, what isn't communicated effectively by teachers and students is how important the crew is to the production.
“There are so many people willing to volunteer [for crew] but don't know it’s an option,” said sophomore Sydney Stropp. Stropp was cast as Viola in an alternate performance of the production. What can often come to mind, for those not involved in theatre, about it being underrepresented in schools is that people may not get involved because many believe it is necessary to perform in order to be involved. Because stereotypes of inflated egos and high strung people may be a pervasive theory, it's important to realize that what the students are really learning is about giving and working together to reach a goal.
“Rudy gives you a lot of responsibility and freedom with your character, and he makes the class feel like a very safe space to be,” cast member and freshman Edan Morgan-Paul said. Paul, who plays Olivia, hopes that “the department could gain more recognition.”
“And gain more publicity,” Paul said. “That would be very helpful.”
Gaining recognition for the theatre department would be good, not only for Griffin but for all high schools because the students see how valuable it is for their self-expression and is an integral part of a well-rounded education.